Jerk Music Critic: The Beatles, Revolver

Revolver comes in second on my best Beatles album list, second only to the exalted perfection that is Abbey Road (q.v.), more tight and focused than the White Album and less full of itself than Sgt. Pepper. Despite that, though, it is adventurous and varied, and while it is not as rarefied or polished as Abbey Road that in and of itself makes it rather more interesting. Besides old throwbackish favourites like "Taxman," "I Want To Tell You" and "Got To Get You Into My Life," it also includes the technologically dazzling (and stylistically sudden) "Tomorrow Never Knows" as well as "I'm Only Sleeping," mixing backwards tracks and Indian-inspired guitars into primal and otherworldly harmony; George Martin's indispensable light touch production shines through on the strings on "Eleanor Rigby" and the Byrds-esque "She Said She Said" but for me most poignantly on the tragic "For No One," reminding me of crushes dashed and bygone days, and if "Love You To" is a little heavy on the tabla and "And Your Bird Can Sing" a little light on sophistication, there's no sin in being merely just good. While some of these tracks (notoriously "Yellow Submarine") might get overplayed a bit on your local oldies station, consider it a compliment paid to a particularly innovative and transformational album from a band that's had quite a few of them. In these overproduced times a little imperfection goes a long way. (Content: mild adult themes on "Love You To.")

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Express Yourself

The Jerk Music Critic is a collection of amateur music reviews I wrote largely non-professionally between the 1990s and today. Some of these reviews are contemporary and some are retrospective, and a few are rather dated, but all are intended to be free-standing and permanent records of my completely worthless musical opinion. They are presented in no particular order and "new" reviews that occur may actually be simply prior ones I've only now transcribed. Older reviews have been edited to hopefully remove inaccuracies later revealed, as well as add brief content advisories (see "Smash the PMRC") and, where reissues exist with different tracks, brief commentaries on these later additions (the actual star review was not altered).

If you're looking for a specific artist, or just interested to see what I really liked (or really didn't), "When I Break Down" indexes reviews by artist and by number of stars awarded (see "Star Chart" for an explanation).

As we move deeper into the Internet music age where the album format might seem hopelessly antiquated, there is still some artistic value in the LP to those artists who still take advantage of it, and some of these recordings can only be properly appreciated in that context. I hope you enjoy these reviews and recommendations, and don't take them too seriously. — Cameron Kaiser

Star Chart

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An instant classic. Substantially advances/d the state of the art, either technologically, stylistically, or (preferentially) both, and is outstanding music besides. Buy it.

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A excellent album. Nearly every song is a gem; nearly every piece is a winner. Falls short of 5 stars for want of that certain special something, but the difference is in impact, not in musical quality. Buy it.

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Solid. Mostly good songs with a few clinkers. Salvageable with a good playlist. Buy it cheap.

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Mixed. Some good songs stand out, but not enough to make it listenable as a whole. Buy the good songs on iTunes.

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Bad. One or two tracks of even decent quality. Buy the good songs cheap on iTunes.

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How did this get released?

Smash the PMRC

I don't advocate for censorship or unnuanced black and white stickers, but I do advocate for parents being able to raise kids in the way they see fit, which might include introducing albums of controversial yet artistic merit at a point in their child's life when they can better appreciate it. The content summaries are intended to be a very general guide, reflective of only my own personal sensibilities and mine alone, and do not substitute in any way for a parent actually sitting down and listening to the album themselves. If you excessively rely on my content advisories, then I'm the one raising your kid, and you really don't want that.